It seems the Canon museum got them backwards. And the FTb was still being sold new as late as None other than a posting here a year ago that had scans of advertised prices from As for the relation to the production run of the FTb, it may have been longer than you thought as Canon did not just drop the mechanical bodies when the AE-1 came out.
Given the "H" suffix and that H was used on my bodies are and later, I think it is may very well be a Q. I have a sales brochure from '77 or '78 that lists both the AE-1 and EF as current models. As I recall the EF was deemed geared to the pro market and the AE-1 was the first successful attempt at breaking open the consumer market.
Ed, you need to read the Canon museum description of the EF: The complexity of the EF meant it cost more than the F1 so it had to be aimed upmarket.
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Anyway, my point is that the AE-1 did not immediately kill off the mechanical cameras. My FTb is an "R" bought in summer The common sites only list lens production sites. Canon has a factory in Hiratsuka for semiconductors - perhaps in the 70's and 80's camera bodies were assembled there as well.
That's probably no help at all, just thought I'd share. My FTb says QS, since we're throwing in new ones. I didn't have the camera when this thread was alive a year ago. What the S stands for I couldn't say. On the back it has the aperture lock and the date code marking N If I understand the date code system this means the lens was made in All of the date codes I've seen are hidden when the lens is mounted; all of the serial numbers I have seen have been on the outside of the lens and are exposed when the lens is mounted.img.hipwee.com/30958.php
The Complete Guide to FD Lenses for Mirrorless Cameras
That said, the other serial numbers I've seen have been on the underside of the lens, not around the objective. The Nikon Z6 may not offer the incredible resolution of its sibling, the Z7, but its excellent video quality and faster performance make it an impressive camera at a considerably lower price.
Other components of the line are pricey and less-awesome. Is it enough of a refresh to keep up with the times? Wacom's latest pro tablet can help take your editing workflow — and most importantly, the final image results — to the next level. Many cameras today include built-in image stabilization systems, but when it comes to video that's still no substitute for a proper camera stabilization rig. If you're looking for a high-quality camera, you don't need to spend a ton of cash, nor do you need to buy the latest and greatest new product on the market. In our latest buying guide we've selected some cameras that while they're a bit older, still offer a lot of bang for the buck.
These entry level cameras should be easy to use, offer good image quality and easily connect with a smartphone for sharing. Whether you've grown tired of what came with your DSLR, or want to start photographing different subjects, a new lens is probably in order. We've selected our favorite lenses for Sony mirrorlses cameras in several categories to make your decisions easier.
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Canon FD Wide Angle Lenses
The basics are in a number of places, including for example, at The Digital Picture , but a quick look at the images thrown up by a Google search turned up some details: From to the codes were one letter followed by three Jan-Sep or four Oct-Dec numbers. There were no factory codes. From onwards the codes were two letters factory and year followed by four numbers.
In the second cycle, I've only found factory codes first letter of U Utsunomiya. All FDn lenses also come standard with S. An enhanced range of FD lenses was available to photographers who required the highest optical and mechanical performance. In addition to more robust mechanical construction, these lenses used a variety of special technologies, including ground aspherical surfaces, calcium fluorite optical elements, and ultra-low-dispersion glass.
Canon used these means to achieve outstanding optical performance at the extremes of lens design: Aspherical surfaces improved performance of wide-angle and standard lenses at very wide apertures. Ultra-low dispersion and fluorite elements virtually eliminated chromatic aberration at long focal lengths.
But if you remember just one thing from this article, let it be this: Luminous Landscape has an excellent post on Understand Lens Contrast , which details the importance of lens coatings:. Before lens coatings were invented, lens flare was a major determinant of image quality. The best lenses were generally the ones that allowed performance to remain high with the fewest elements, because there were fewer air-to-glass surfaces to create flare.
This explains the lifespan of the exceptionally long-lived Tessar-type, despite its speed limitations. Lens coatings are of critical importance to modern lenses; virtually all zoom lenses and many highly-corrected multi-element lenses would be useless for general photography without them. Often, coating is what makes the most difference between an average lens and a very good one.
The Complete Guide to FD Lenses for Mirrorless Cameras (m43, NEX, EOS-M, etc.)
Have you ever noticed how many early 35mm photographers tried to avoid bright sunlight? You might be forgiven for thinking that the decade of the s was entirely overcast and not just by the world political situation. Fortunately, Micro Four Thirds has grown to be a relatively mature system in the past 5 years with few holes.
But if you really are hellbent on buying some, stick with the fast primes:.
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Most of these lenses have a slower version, ie.